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City of Quartz by Mike Davis: The Inequality That Made Los Angeles

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Key points

  1. Davis opposes boosters and noirs, two elite visions of Los Angeles, and recovers the voices neither included.
  2. Proposition 13 protected the value of white homes at the expense of everyone's schools and services.
  3. Fortress L.A. and the war on gangs turned fear into architecture and into policing policy.

City of Quartz: Excavating the Future in Los Angeles (1990) is the book with which the historian Mike Davis turned Los Angeles into the laboratory of contemporary urban inequality. Published two years before the 1992 riots that seemed to confirm it, the book excavates the layers of power that made the city: the developers who sold it as paradise, the intellectuals who denounced it as nightmare, the homeowners who revolted against taxes, the police that militarised it and the Church that governed its migrants. His thesis is that Los Angeles is not the American exception but its preview, and that inequality does not hide in its margins but organises its form.

Sunshine or Noir: two ways of imagining Los Angeles

The first chapter, Sunshine or Noir, opposes two traditions of imagining the city: the boosters, developers and journalists who since the nineteenth century sold Los Angeles as a land of sun, health and property for the white middle class, and the noirs, from Raymond Chandler to Nathanael West and the exiled Frankfurt School, who saw in it the corruption and emptiness of the American dream. Davis shows that both visions were produced by elites, and recovers the voices neither included: Mexican workers, the Black community, the crushed unions. His method is the history of power told from those who suffer it.

Proposition 13, Fortress L.A. and the war on gangs

The central chapters follow the actors. The homeowners' revolt of the suburbs, which culminated in Proposition 13 of 1978 and capped property taxes, is read as a class movement that protected the value of white homes at the expense of everyone's schools and services. The chapter on Fortress L.A. describes how fear produced a bunker architecture: enclosed malls, benches with spikes, gated communities, a downtown redesigned to expel the homeless. And the chapter on the hammer and the rock documents how the police department treated Black and Latino neighbourhoods as enemy territory, with mass sweeps and helicopters, in the name of the war on gangs.

Church, Fontana and speculation: excavating the interests

Davis also attends to the Catholic Church as a political power among Latino migrants, to the industrial city of Fontana, where the Kaiser steel mill closed and left a town of bikers and the unemployed, and to the geography of real estate speculation that turned desert into suburb. Each chapter is an excavation in the literal sense: searching beneath the image of the city for the interests that built it. The style, at once erudite and polemical, made the book an unexpected success and its author a public figure.

Criticism, the 1992 riots and the book's legacy

Criticism came at once. Historians and geographers reproached him for an apocalyptic pessimism, factual errors and a reading that left little room for the agency of residents, who in Los Angeles were organising in immigrant unions, neighbourhood movements and campaigns such as the Bus Riders Union. Davis responded in Ecology of Fear (1998) by extending the analysis to natural disasters and in later work on Latino Los Angeles. But the riots of April 1992, after the acquittal of the police officers who beat Rodney King, gave the book the authority of a fulfilled prophecy.

City of Quartz remains the reference reading on Los Angeles and one of the founding works of the Los Angeles School alongside those of Soja and Dear. Its lesson exceeds the city: urban inequality is the product of decisions about taxes, housing, policing and land taken by those with power, and it is inscribed in the physical form of the city, in its walls, motorways and enclaves. Excavating that form, as Davis did, is the condition for changing it.

Frequently asked questions

What does Mike Davis argue in City of Quartz?

That Los Angeles is not the American exception but its preview, and that its inequality is the product of decisions about taxes, housing, policing and land taken by developers, homeowners and elites, inscribed in the city's physical form: walls, motorways, enclaves and spaces designed to exclude.

What is Fortress L.A.?

It is the chapter and concept with which Davis describes the city's architecture of fear: enclosed malls, spiked benches, gated communities and a downtown redesigned to expel the homeless, complemented by a police force that treats poor neighbourhoods as enemy territory.

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