Key points
- Foucault shows that visibility disciplines: whoever knows they are watched watches themselves, from the panopticon to cameras.
- Massey defines space as the product of unequal relations that are always open to dispute.
- Soja demands that justice be sought in space: the Los Angeles Bus Riders Union as the example.
Urban space and power are bound together because the form of the city, its streets, walls, squares and invisible borders, is at once the result and the instrument of a society's relations of domination. Whoever decides where a motorway goes, which neighbourhood is policed or which square is closed at night exercises power over the bodies and lives of those who inhabit that space. Three authors have explained that relationship from different angles: Michel Foucault, who showed how architecture disciplines; Doreen Massey, who defined space as the product of relations always in dispute; and Edward Soja, who claimed spatial justice as a political goal.
Michel Foucault: the panopticon and the disciplinary city
Foucault, in Discipline and Punish (1975), analyses Jeremy Bentham's panopticon, the circular prison where an invisible guard can observe every inmate, as the model of modern power. What matters is not punishment but visibility: whoever knows they are watched watches themselves. Foucault shows that hospitals, schools, barracks and factories adopted the same logic, and that the nineteenth-century city, with its open boulevards and numbered districts, extended discipline to the whole territory. Today cameras, sensors and mobility data prolong that panopticon without the need for a tower.
Doreen Massey: power geometry and contested space
Massey, a British geographer, proposes in For Space (2005) to understand space not as a fixed container but as the product of social relations that reach all the way to the global and are never closed. Her concept of power geometry describes how mobility and connectivity are unequally distributed: the executive flying between cities and the worker waiting for the bus live the same globalisation from opposite positions of power. For Massey, every place is a meeting point of different trajectories, and so the identity of a neighbourhood or a city is always political, always open to negotiation and dispute.
Edward Soja: thirdspace and spatial justice
Soja, in Thirdspace (1996), takes from Lefebvre the idea that space is at once physical, mental and lived, and proposes the third space as the realm where the real and the imagined combine and where resistance is possible. In Seeking Spatial Justice (2010) he takes the political step: if inequality is produced spatially, through ghettos, peripheries without transport and privatised centres, justice must also be sought in space. His example is the Los Angeles Bus Riders Union, which in 1996 forced through the courts the diversion of funds from suburban rail to the buses used by poor neighbourhoods.
Control and resistance: space is never neutral
The three readings converge on one idea: space is not neutral. Residential segregation, the differential policing of neighbourhoods, the walls of gated communities, hostile designs that prevent sleeping on a bench or the price of transport are ways of exercising power over who can be where. But space is also where power is contested: occupied squares, self-built neighbourhoods, gardens on vacant lots and marches that reclaim the street show that the geography of control produces its own geography of resistance.
For planning, this tradition leaves a demand: analyse every plan and every design by what it does with power. Foucault teaches us to see surveillance in form, Massey to recognise that every place is a crossing of unequal relations, and Soja to measure justice by the spatial distribution of opportunity. Together they offer the tools to ask, before any urban transformation, who gains control, who loses it and who can resist.
Frequently asked questions
What is Doreen Massey's power geometry?
It is the concept describing how mobility and connectivity are unequally distributed among social groups, so that the same globalisation is lived from opposite positions of power depending on who controls the flows and who endures them.
How does Foucault apply the panopticon to the city?
He shows that the logic of Bentham's prison, being visible to an invisible guard, spread to hospitals, schools and the nineteenth-century city itself, and that today cameras, sensors and mobility data prolong that surveillance without the need for a tower.